An exploration of deep reverb spaces and very sustained sounds. Gong-like bells resound in a vast phase-shifting continuum. Definitely more ambient than is usual for me; a harkening back to the Obliterature pieces. Composed November 1999, Brooklyn, NY. It is the first track from the free downloadable Espace album.
Csound orchestras and score
Credits: Csound realization with new reverb and phase-shifting orcs by Sean Costello, DX7 Algorithm by Russell Pinkston (Gong DX7 orc by the composer). Feedback Delay Network Reverb model from Julius O. Smith, III.